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[OPEN] 12/3 IN MY RESTLESS DREAMS, I SEE THAT HOSPITAL

THE HOSPITAL

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→ 12/3 LOCKDOWN

On the same night of the first snowfall in Hirajiro, a cold gust of wind blows through the town when the Lockdown begins. Although early, it appears that this may be the final dungeon that will contain the Daitengu. After all, the only reason a new dungeon appeared every other month was because the Daitengu was always defeated so late. Now that Yashiro-no-Shugosha has been killed, it only makes sense that a new dungeon has appeared immediately the following month.

Following the wind, it leads to the Hirajiro General Hospital. The dark windows are locked shut and reveal nothing but pitch darkness inside the building. The front doors are ajar and they give a loud unpleasant squeal when pushed open. This is it. It's the final dungeon. It should be the end, right?

Rei is no longer found in town.

→ FLOOR 1 - THE PEDIATRIC WARD

Descending the stairs to the first floor, a large sign attached to the wall reads "THE PEDIATRIC WARD". Underneath it, a rusty but otherwise colourful sign reads "NO RUNNING IN THE HALLWAY". With nearly half of the lights on, even with their erratic flickering and the nauseating pale blue hue that they give, it's easy to see the floor's surroundings. As appropriate for its name, bright and cheerful colours paint the walls, although parts are stained and chipped off, and giant stickers of various different animals line the hallways, albeit falling apart and torn. It's eerily silent, asides from faint sobbing that comes and goes from nowhere, but stepping with too much force on the chipped tiles will cause them to break and send a piercing cracking sound that echoes throughout the floor. If anyone is foolish enough to ignore the earlier warning sign and begin to run, a Shadow will seep through the fractures of the floor tiles.

ICHIMATSU
Type Shadow	Resists Physical, Dark	Weak Light
Attracted to loud sounds, these doll-like Shadows pop out of the ground and act as a physical stop for runners. If they're bumped into, even with the slightest touch, they let out a loud rattle that is followed by disgusting squelching. The doll begins to rise higher and higher until it takes a completely new form and reaches out with its arms to swipe and grab hold of Persona users. If caught, they pull their prey into their bodies and suffocate them in black rotten mud. If the runners are fortunate enough not to bump right into the Ichimatsu, it will simply let out a laugh then shrink back into the ground, awaiting the next time someone tries to break the rules. A broken Ichimatsu doll and mannequin arms can be collected as loot.

Although the ward is littered with doors, only a select few will open. A majority of doors are either locked, broken, or barricaded from the other side. Three will creak open for entry.

DOOR ONE

The first door leads to a pitch dark room. Any source of light is immediately rendered useless, only illuminating no more than what the source occupies. Before anyone can leave, however, a pair of invisible hands reach out and pull the intruders in, shutting the door behind. In the complete darkness, multiple hands push everyone seemingly further and further away from the exit until it's impossible to tell where it is. Left might be right and forward might be backwards. In the pitch dark, it's difficult to navigate, especially as the shoving is nonstop and inconsistent enough to prevent any preparation to fight back.

Numerous voices echo throughout the room, seemingly garbaged all together, but those with careful ears will differentiate four voice: the first, a woman, speaks about not needing a second child and that a second child is unwanted; the second, a man, rejects fatherhood and wants nothing to do with the unwanted child; the third, a man, refuses responsibility for another man's child and refuses to acknowledge them; and the fourth, a girl, spits venom about a bastard child and that she'd never be sisters with one. These voices become louder and louder the further somebody is pushed into the seemingly endless void. Escape or rot here until the Lockdown ends and spits you back out.

DOOR TWO

The second door leads to a long hallway with childish drawings and paintings lining the walls. The soulless eyes of the artworks seemingly follow those who wander down the hall, but when glancing at them, their eyes look away. Finally reaching another door at the very end, it reveals an arts and craft room. Small circular tables with matching chairs line the area, each littered with used crayons and markers, but nothing is up on the walls. Chipped and bleached paint covers them, leaving them empty, but for a single crude drawing in the center of the room. On closer examination, it's a crayon sketch of a blue monster. After staring at the picture, it begins to take a life of its own and form a new Shadow.

BLUEBELL
Type Shadow	Resists Physical, Dark	Weak Light
The hands and arms rip through the sheet first. Then its head. Then its entire body. The demon stands tall at seven feet and immediately moves to stomp on any nearby prey. By holding either the Persona or its user under their heavy feet, it rips and chews its victims with their sharp fangs before unhinging its jaw to swallow them whole. Stay behind and fight or run out of the room and down the hallway. It'll chase behind at an alarmly fast pace, but stop the moment it approaches the main exit. It slams itself against the door a few times, causing it to rattle, but eventually, it stops. It seems as if it cannot escape from this hallway. Sharp fangs and eyeballs the size of dinner plates can be collected as loot.

DOOR THREE

The third door leads to a playroom, containing numerous amount of toys. Upon entering, the door makes a loud audible click. Trying to turn the handle is fruitless as it has now been locked from the other side. Faint footsteps running away from the door can be heard from the hallway, but before anything could be done about the situation, the room is plunged into darkness. A grandfather clock rings out a chime before a thundering voice speaks.

"Oh, you silly little girl, did you lock me in? Did you forget that I know you hid a key in here?"

With every ten seconds that pass, the grandfather clock rings louder and louder until it becomes physically painful to listen to. Search around the room and find the key needed to unlock the door. Physically breaking it down is impossible as it is impervious to all kinds of attacks. The key is the only way to escape and looking through and in all the different types of toys will take time. It simply comes down to luck and, if by chance, someone takes the rabbit doll with "NIKO" written on the bottom foot and rips off its head, an old bronze key will be found. Use the key and unlock the door to escape, but for the unfortunate ones, once the clock strikes twelve times, they're simply trapped. The room falls into silence and the Doctor appears. Using its large clamps, it grabs hold of characters and laughs.

"Haha, you naughty children. Patients are not allowed to leave their rooms."

Those caught by the Doctor are then immediately knocked out before being dragged to the third floor...

The entrance to the second floor is locked with heavy bars that make it impossible to break down. A key is needed to open the gates and a simple lockpick won't suffice. For the fortunate ones who have found the key in the rabbit doll in the third room, the same key will work on the gate. The door swings open and allows passage to the next floor.

→ FLOOR 2 - THE ONCOLOGY WARD

The second floor is marked with another rusty sign that reads "THE ONCOLOGY WARD". Underneath it, another sign is posted that says, "SHHH, SILENCE PLEASE". Unlike the previous floor that was filled with colourful, abliet faded and dated, walls, the oncology ward is bleak and plain. Only a quarter of the lights are on, still taking on a sick pale blue hue and flickering without any sort of pattern, and paints the floor with a despressing outlook. In addition, unlike the previous floor that was devoided of wandering Shadows, two different types of enemies lurk down the hallways.

NOPPERA-BO
Type Shadow	Resists Physical, Dark	Weak Light
Although they're technically two separate Shadows, the patient and nurse are often seen together. If one is found alone, the other is not far behind. In fact, a majority of these Shadows travel together in groups, comprising as few as four or as many as twelve. Although they slowly lurch down halls and into rooms, they become extremely fast when reacting to sound. Even a tiny whisper will capture their attention and they will immediately track down the source. Should they find an individual, they use their vast numbers to grab hold and drag the captive to the third floor. Any sort of struggling is faced with an injection from the nurse that drugs characters to sleep or toxic fumes from the patients that render characters paralyzed. Syringes with drugs that cause sleep and give a boost of energy can be collected as loot.

Once again, the exit to the next floor is barred and nearly all of the doors in this ward are unaccessible. All, but three, refuse to budge due to either being locked, destroyed, or barricaded.

DOOR ONE

The first door leads into a regular private room with two beds that are laid side-by-side. It's a plain and empty room, but setting foot inside will cause the door to suddenly close. Standing in front of the exit is now a new Shadow, one that's surprisingly very human, with her hand on the lock.

YUKI-CHAN
Type Shadow	Resists Physical, Dark	Weak Light
A young girl, no older than nineteen and dressed in a hospital gown, stands in front of the now-locked door. With brown hair tied in a braid and thrown over her shoulder, she approaches with a hammar in hand. "You won't leave. You'll never leave. With extraordinary strength, she'll pin down the closest person with the intent of hammering their hands with nails into the floor. Anyone who interferes will be dragged away by another Yuki-chan. From the shadows, more and more Yuki-chans appear until the room nearly reaches max capacity. Using their fearsome strength and numbers, they pin down intruders and proceed to nail every part of their body into the ground. They can't be reasoned with and they will not stop until there is not a single spot left that they can't stick a nail into. Hammers and metal nails can be collected as loot.

DOOR TWO

The second door leads to another plain room with two side-by-side beds. Yet again, the door will be locked from behind and cannot be broken down. Searching for clues will reveal a short book about senbazuru: one thousand origami cranes. It details that an ancient Japanese legend promises that anyone who folds a thousand origami cranes will be granted a wish by the gods. As a result, those who fall seriously ill are often the recipients and/or creators of a senbazuru. Tucked in between one of the pages is a single crane that has already been folded, but flattened in the book. Looking through the drawers of the room reveals thousands of origami paper with instructions on how to fold cranes.

If it isn't obvious, a thousand cranes must be created in order to escape from the room. Whether they're perfectly folded or clumsily made, it does not matter. A thousand birds must be made and if characters succeed before they are kicked out of the dungeon or starve to death, the door will unclick and open. Just like the wish given after the creation of the senbazuru, absolutely nothing happens.

DOOR THREE

The third door leads to yet another empty room with two beds. On the bed furthest from the door, next to the window, a plastic ring lies on the pillow. A bronze key is tied to the toy with a string and by examining it, it appears to unlock the gate that leads to the third floor. However, the moment the ring and key are picked up, a dark shadow appears behind the holder.

JUON
Type Shadow	Resists Physical, Dark	Weak Light
This dark shadow has no defining features. Only comprised of black scribbles, this void simply moves to engulf characters in its embrace. Surprisinly fast, it swallows entire beings and puts its captive's mind through overwhelming feelings of despair and agony. As their minds go through their worst nightmares, infected characters will move on their own and proceed to attack others in the room. Those who are trapped under the shadow's influence will only return to normal after either being forcefully removed, being knocked out, or the Shadow being defeated. Nothing can be collected as loot.

Those with the key may proceed down to the third floor...

→ FLOOR 3 - THE SUGERICAL WARD

With a sign that marks the floor as the "THE SURGEICAL WARD", another sign underneath reads, "NO OUTSIDE OBJECTS". Before proceeding into ward, a small weight sensor is placed on the last step of the stairs and on the right, a garbage chute is affixed to the wall. Only those who throw everything asides from the clothing their back will be allowed to go through the gate. After disposing of everything, including their omamoris, the door will open and allow for visitors to go through.

Out of the previous floors, the surgical ward is the darkest one so far. Only a handful of lights are on, though these take on a sickly yellow tint and hardly flicker. In addition, the floor abandons the previous layouts and takes on a completely open concept with only two doors: the entrance and the exit. Large plastic sheets hang from the ceiling and the air is hot and sticky, filled with a terrible odour that is a mix between blood and rotten flesh. Occasionally, loud ear-piercing screams will be heard throughout the floor and those who were unfortunate enough to be captured on the previous floors, they will be brought down here for their operation.

THE DOCTOR
Type F.O.E.	Nulls Physical, Dark	Weak Light
The captured will be strapped to an operating bed with an overly bright light hanging over them. The Doctor parts the plastic sheets and stands before the bed, speaking in a thundering voice. "Don't worry, you're in good hands. I'll fix you up." Those who have been captured together or roughly around the same time will be placed in beds next to each other while the Doctor operates on one patient at a time. Cutting open his patients with various medical tools, he pokes and prods inside. He pulls and snips at organs, saws off limbs, drains the blood, and performs any sort of "surgical procedures" that he can get away with. Even if the straps have been pulled apart, the Doctor's large imposing size makes it difficult to resist. With the strength of a F.O.E., the Doctor will not submit to simple, weak attacks and with various medications in his pockets, he can heal himself at any given moment. Occasionally, the Noppera-bo nurses will come to his aid and fight alongside with him. It is best to avoid him rather than fight, though for the ones already captured... there's not much else to do, but scream.

As tempting as it is to rescue those who are undergoing the Doctor's cruel operation, without any omamoris or weapons, it'd be impossible to take him down. The best solution is to navigate through the floor while not attracting the attention of the Doctor or his nurses. When the F.O.E. isn't operating on a character, he'll tear apart various Shadows instead, occasionally throwing out pieces or entire bodies when he's finished. Nurses will roam the area to wheel in new patients strapped to beds and take the dead bodies out.

In each corner of the floor is a waste pile, containing dirty clothes, discarded surical equipment, and the occassional body part. Digging through them will prove fruitless as none of them will contain the key to the exit. The more daring ones who come to take a closer look at the Doctor, whether from the operating table or from the sidelines, will notice a string tied around the Doctor's ankle. The string holds a lock of hair wrapped around a bronze key. Grab this key and escape before the Doctor catches on.

→ FLOOR 4 - THE MORGUE

The final stairway has no lights. Going down the stairs will be a cautious task as there is no indiciation on where the end is, but upon reaching the bottom, a single light just barely shines on the last door. All the belongings that have been thrown into the chute from the previous floor lie by the door. Bolted to the front of the entrance, a metal plate reads "THE MORGUE" and a note is taped underneath it.

"To Niko-chan, please rest in peace, Yuki."

The final key is taped behind the note and can be used to open the door. Upon entering, the area reveals an oversized morgue with multiple lockers, each containing the name of every character in Hirajiro, including Rei's. On a gurney in the back of the room, Rei(?) sits in the back with Ananke, rabbits resting in their laps.

There is nothing else in the room.

→ ICHI NOTES

⬥ Characters who die in this dungeon may either wake up in the morgue and in their respective locker or thrown out of the dungeon once the Lockdown ends.
⬥ The level of gore and severity of the Doctor's operations will be left up to the player's discretion.
⬥ The Doctor may appear randomly throughout the floors, wandering around and looking for new patients. He may be fought but it will be difficult to kill as he will heal or retreat if he needs to.
⬥ Throughout the first three floors, ghosts of Rei may be found. On the first floor, she will appear as a young child. On the second floor, she will appear as a teenager. On the third floor, she will appear as a teenager, but with a shaven head. All three versions of Rei will never face the characters and immediately run away, fading into the darkness, if chased. Occasionally, she will scream and attract the attention of Shadows. If quietly followed without an attempt to capture her, she may lead to the correct areas that will contain the keys.
⬥ If your character really wants to get through an inaccessible door, just let me know and I will create a new horror scenario for you. I cut out a lot so I am filled with ideas for all these gremlins...
⬥ The top-level to speak with Shadow Rei will be unscreened once at least one character manages to get through the third floor and down to the fourth. Please let me know when that happens.
⬥ This dungeon will last until 12/14 at the latest. Please indicate dates in your top-levels to keep track.
⬥ Threads from this log may be used for the dungeon requirement for AC.
⬥ Have fun! Do~~n't~~ die.

Flat | Top-Level Comments Only

[ Why does everybody stop caring the older they get, this is terrible. Also, look, Kido was a child for three of those four days, stealing Rei's clothes and living her best life being spoiled by Jiro. She noticed after the fact, okok. ]

And... the Daitengu?

[ Is keeping Rei captive? What an asshole. ]

[ According to Ichi, Velvet Room portals aren't in personal dungeons, so I fucked that up last time with Terry's, so I'm retconning that. I'm sure we can think of alternate scenarios if we had to explain it. Yeah. But because of that, Terry thinks back to his own Dungeon when it was still around, and he was desperately trying to find a portal in this one too, but there wasn't any. It's easy to draw conclusions if there are several examples laid out. ]

... It's like the time when my Shadow was at the end of the Dungeon. It's a Shadow Dungeon.

[ That's what he'll coin it as. ]

That rabbit toy... Rei had a similar one dropped off by the crows before. I could tell it's not actually hers and belongs to the Dungeon, because we patched "Rei" over the rabbit's foot. It wasn't like that with the doll I just destroyed.

Come on, let's keep going.

[ Oh. The shrine dungeon didn't have a Velvet Room portal either because I forgot about it until it was too late, but it doesn't matter, it can be explained somehow, maybe the castle is close enough that there didn't need to be an easy escape route.

Anyways, Kido doesn't move. ]

Why would Rei have a Shadow? She's...

[ Sort of comatose, or close to it, the last time Kido had seen her. ]

I don't know, but that's what I got.

[ It reminds him of the night when Kido suddenly went missing, and that's not something he wants to think back on. ]

Come on. It'll be worse on the next floor, so try to prepare yourself before we go...

[ Prepare herself how... She takes a deep breath, then Nekogami casts Amrita Shower one more time— then Spirit Drains Terry because there's nothing to kill and replenish SP and it's not like Terry is using his. ]

I'm okay. Let's just get through it as quickly as we can. I'll be fine, so don't worry about me.

[ She's going to be scared shitless no matter what happens, so all she wants to do is grit her teeth and speedrun this thing. ]

[ Terry shoots Nekogami a Look, but doesn't say anything. Then he looks over at Kido as if he wants to say something, but gives up on the thought. Terry starts walking over to the stairwell entrance and unlocks it with the bronze key. Then he hands it to Kido, since she said that she wanted to hold onto it.

They venture to the next floor... Terry's shoes continue to light up with each step. ]

[ Nekogami: if you have something to say, say it, punk

Kido takes the key and puts it inside her pants pocket since that's slightly more secure than her hoodie pocket, and probably not for the first time tonight, she's giving Terry's shoes a judging look. He's right at home in the peds ward.

Oncology, though, sends a shiver down Kido's spine, because cancer patients dying in hospitals is more real than pediatric patients, and the second floor is absolutely sapped of color. Already, when they come up to the second floor, there's Shadows, and Kido's grip on Terry's arm tightens slightly before relaxing again. ]

We won't fight them if we can help it.

[ They can't hear her. They don't turn her way at all. Good. ]

Have you seen them before? It'll be easy to sneak past them if they're slow, but if they're not, we'll have to be fast and careful not to bump into them.

[ Why don't you buy him shoes next time, Kido... his old ones were so worn out from... everything that he had to let them go after the sixth month in this hellhole. Good thing the crows dropped a pair of shoes on him, because money to buy shoes? Sounds fake.

He can endure the heat radiating from Kido and Nekogami, but it's like half of him is under the sweltering summer sun while the other half of his body is cold. Terry looks over at the Shadows. They sure are travelling in groups of more than four. ]

They're really fast if they hear something out of place. They walk normally otherwise. I fought them off before, but there were too many for me to deal with and I got caught.

[ And he had to protect Seto while he was at it. Not even Vassago's new AoE skills could help him get through with his raw power, if that says anything to Kido. ]

Orien unlocked my powers, so we can go fast if we have to.

[ Since he was no items otherwise. His omamori is probably with everything else in the morgue. RIP. After seeing Terry's bloody state before, he figures this would be best, especially since Terry won't have anything else to defend himself with. ]

[ She has to provide for 42 cats; she can't spare any money for Terry's feet.

But alright. Kido thinks about their options. The Shadows didn't notice them even while they're talking normally like this, and seeing actual enemies is a lot less scary than potential ghosts and monsters left unseen, so this floor isn't as bad as the last one, in Kido's opinion. Nekogami is just as strong as Vassago, too, and with all the effort 45's been putting into getting Kido armed, she also has a small handgun for emergencies. ]

Then we'll stick to that plan: sneak by if we can, and if anything notices us, I'm counting on you to get us out of there. Head back down to the first floor if that happens, in case these Shadows can't go down stairs to follow either. Where's the key on this floor?

[ She's looking down the hall at all the doors, but she can't tell which are unlocked and which aren't, to know how many they'd have to try otherwise. ]

[ Terry points out the locations of the three unlocked doors, but. ]

Like I said earlier, I don't know where the key is on the second floor. I got caught and something's blocking the pinpointing to let me find out where it is.

[ ... ]

I can probably snipe all the Shadows on this floor from here, but I won't if they just respawn. I don't know if they do that.

But you made it to the third... Whatever. Leave the Shadows alone. We'll go through the doors one by one.

[ Getting past the rest of the floors as easily as the first isn't something they can rely on anymore, so it's back to checking every nook and cranny of the place. ]

Come on...

[ She shifts her grip so that she's just holding onto Terry's shirt sleeve instead of his arm in general, and tugs him towards the first door. Looks like it's just a normal, empty room, nothing much that could be broken to reveal a hidden key. ]

I only made it to the third because they caught me and took me there somehow.

[ The third floor is where you go die.

Terry looks into the first room. ]

It looks normal...

[ Which means there will probably be some kind of jump scare. Yeah. ]

It doesn't look like there are enough hiding places, so let's take a quick look around.

[ The shortest way to the third floor... It'll be plan B if this first door is fruitless, Kido decides as she follows Terry inside—- and immediately screams in surprise when the door slams shut behind them, whipping around to see Yuki-chan standing there. ]

Terry, it's another Persona user—-

[ holding nails and a hammer and saying they're not allowed to leave, so maybe not. Regardless of whether she can see them or not, Kido backs away from the door further into the room. ]

Find the key. Hurry up.

[ Terry quickly goes around the room and... doesn't find anything of worth. It only takes two seconds though, so when he comes back, he shoves his foot into Yuki-chan's face against the door, driving it in until it goes through her head and flings her off to the side. ]

Let's get out of here.

[ He unlocks the door normally, since that's a thing with this room and opens the door, making sure Kido leaves this room first. ]

[ Not being attacked on sight because they can't be seen is a blessing. Terry putting his colorful light up shoes through a person's face while she screams and cries is absolutely terrifying.

Kido keeps her mouth shut and mind blank while she wastes no time leaving the room.

...

She turns to Terry and goes ??????? ]

Let's go to the next...

[ Terry catches Kido staring at him and raises an eyebrow. ]

... What?

No. Nothing.

[ She takes a marker out of her hoodie pocket and vandalizes the door by writing "DO NOT ENTER" on it, which is meant to be helpful to let people know this door doesn't have anything useful inside, but will probably backfire and just encourage people to enter it instead. ]

[ Terry looks at the vandalism and then at the marker. ]

Let me add onto that. Can you give me the marker?

[ She obliges easily enough and hands Terry the marker, even though she thinks he could just tell her and have her write it herself. ]

[ He takes the marker and adds "no key", then returns the marker. ]

Let's keep going. I just remembered the next one is also useless, so can you write the same message on that door too?

[ Watch people enter anyways. Kido copies the message down on the second door, and makes a mental note to go back downstairs sometimes and write about finding the key inside the rabbit doll next to that door too. ]

Done. So door number three...

[ She pulls the door open to peer inside. Two beds. ]

...You check under the bed, and I'll check the covers.

[ Instead of, you know, each of them taking one bed. ]

... Why can't we just check a bed each?

[ Yeah, at least he'll say that out loud, but he checks under the beds anyway. ]

No, it'll be faster this way and easier on our knees.

[ Her knees. Kido enters the room before Terry can throw any more complaints at her. ]

[ ...

Terry sighs and goes in to check under the beds. He's supposed to be the old one here, Kido. Not you! There's nothing of importance as he expected, so he gets back up. ]

I don't see any keys here. Maybe it's--

[ It's right there on the fucking pillow. ]

Keep looking.

[ Kido is busy checking the sheets like she said, carefully feeling around under them so she doesn't accidentally knock it onto the ground or anything. ]

premise ⬥ taken ⬥ faq ⬥ navigation

→ 12/3 LOCKDOWN

→ FLOOR 1 - THE PEDIATRIC WARD

DOOR ONE

DOOR TWO

DOOR THREE

→ FLOOR 2 - THE ONCOLOGY WARD

DOOR ONE

DOOR TWO

DOOR THREE

→ FLOOR 3 - THE SUGERICAL WARD

→ FLOOR 4 - THE MORGUE

→ ICHI NOTES

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