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[OPEN] 12/3 IN MY RESTLESS DREAMS, I SEE THAT HOSPITAL

THE HOSPITAL

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→ 12/3 LOCKDOWN

On the same night of the first snowfall in Hirajiro, a cold gust of wind blows through the town when the Lockdown begins. Although early, it appears that this may be the final dungeon that will contain the Daitengu. After all, the only reason a new dungeon appeared every other month was because the Daitengu was always defeated so late. Now that Yashiro-no-Shugosha has been killed, it only makes sense that a new dungeon has appeared immediately the following month.

Following the wind, it leads to the Hirajiro General Hospital. The dark windows are locked shut and reveal nothing but pitch darkness inside the building. The front doors are ajar and they give a loud unpleasant squeal when pushed open. This is it. It's the final dungeon. It should be the end, right?

Rei is no longer found in town.

→ FLOOR 1 - THE PEDIATRIC WARD

Descending the stairs to the first floor, a large sign attached to the wall reads "THE PEDIATRIC WARD". Underneath it, a rusty but otherwise colourful sign reads "NO RUNNING IN THE HALLWAY". With nearly half of the lights on, even with their erratic flickering and the nauseating pale blue hue that they give, it's easy to see the floor's surroundings. As appropriate for its name, bright and cheerful colours paint the walls, although parts are stained and chipped off, and giant stickers of various different animals line the hallways, albeit falling apart and torn. It's eerily silent, asides from faint sobbing that comes and goes from nowhere, but stepping with too much force on the chipped tiles will cause them to break and send a piercing cracking sound that echoes throughout the floor. If anyone is foolish enough to ignore the earlier warning sign and begin to run, a Shadow will seep through the fractures of the floor tiles.

ICHIMATSU
Type Shadow	Resists Physical, Dark	Weak Light
Attracted to loud sounds, these doll-like Shadows pop out of the ground and act as a physical stop for runners. If they're bumped into, even with the slightest touch, they let out a loud rattle that is followed by disgusting squelching. The doll begins to rise higher and higher until it takes a completely new form and reaches out with its arms to swipe and grab hold of Persona users. If caught, they pull their prey into their bodies and suffocate them in black rotten mud. If the runners are fortunate enough not to bump right into the Ichimatsu, it will simply let out a laugh then shrink back into the ground, awaiting the next time someone tries to break the rules. A broken Ichimatsu doll and mannequin arms can be collected as loot.

Although the ward is littered with doors, only a select few will open. A majority of doors are either locked, broken, or barricaded from the other side. Three will creak open for entry.

DOOR ONE

The first door leads to a pitch dark room. Any source of light is immediately rendered useless, only illuminating no more than what the source occupies. Before anyone can leave, however, a pair of invisible hands reach out and pull the intruders in, shutting the door behind. In the complete darkness, multiple hands push everyone seemingly further and further away from the exit until it's impossible to tell where it is. Left might be right and forward might be backwards. In the pitch dark, it's difficult to navigate, especially as the shoving is nonstop and inconsistent enough to prevent any preparation to fight back.

Numerous voices echo throughout the room, seemingly garbaged all together, but those with careful ears will differentiate four voice: the first, a woman, speaks about not needing a second child and that a second child is unwanted; the second, a man, rejects fatherhood and wants nothing to do with the unwanted child; the third, a man, refuses responsibility for another man's child and refuses to acknowledge them; and the fourth, a girl, spits venom about a bastard child and that she'd never be sisters with one. These voices become louder and louder the further somebody is pushed into the seemingly endless void. Escape or rot here until the Lockdown ends and spits you back out.

DOOR TWO

The second door leads to a long hallway with childish drawings and paintings lining the walls. The soulless eyes of the artworks seemingly follow those who wander down the hall, but when glancing at them, their eyes look away. Finally reaching another door at the very end, it reveals an arts and craft room. Small circular tables with matching chairs line the area, each littered with used crayons and markers, but nothing is up on the walls. Chipped and bleached paint covers them, leaving them empty, but for a single crude drawing in the center of the room. On closer examination, it's a crayon sketch of a blue monster. After staring at the picture, it begins to take a life of its own and form a new Shadow.

BLUEBELL
Type Shadow	Resists Physical, Dark	Weak Light
The hands and arms rip through the sheet first. Then its head. Then its entire body. The demon stands tall at seven feet and immediately moves to stomp on any nearby prey. By holding either the Persona or its user under their heavy feet, it rips and chews its victims with their sharp fangs before unhinging its jaw to swallow them whole. Stay behind and fight or run out of the room and down the hallway. It'll chase behind at an alarmly fast pace, but stop the moment it approaches the main exit. It slams itself against the door a few times, causing it to rattle, but eventually, it stops. It seems as if it cannot escape from this hallway. Sharp fangs and eyeballs the size of dinner plates can be collected as loot.

DOOR THREE

The third door leads to a playroom, containing numerous amount of toys. Upon entering, the door makes a loud audible click. Trying to turn the handle is fruitless as it has now been locked from the other side. Faint footsteps running away from the door can be heard from the hallway, but before anything could be done about the situation, the room is plunged into darkness. A grandfather clock rings out a chime before a thundering voice speaks.

"Oh, you silly little girl, did you lock me in? Did you forget that I know you hid a key in here?"

With every ten seconds that pass, the grandfather clock rings louder and louder until it becomes physically painful to listen to. Search around the room and find the key needed to unlock the door. Physically breaking it down is impossible as it is impervious to all kinds of attacks. The key is the only way to escape and looking through and in all the different types of toys will take time. It simply comes down to luck and, if by chance, someone takes the rabbit doll with "NIKO" written on the bottom foot and rips off its head, an old bronze key will be found. Use the key and unlock the door to escape, but for the unfortunate ones, once the clock strikes twelve times, they're simply trapped. The room falls into silence and the Doctor appears. Using its large clamps, it grabs hold of characters and laughs.

"Haha, you naughty children. Patients are not allowed to leave their rooms."

Those caught by the Doctor are then immediately knocked out before being dragged to the third floor...

The entrance to the second floor is locked with heavy bars that make it impossible to break down. A key is needed to open the gates and a simple lockpick won't suffice. For the fortunate ones who have found the key in the rabbit doll in the third room, the same key will work on the gate. The door swings open and allows passage to the next floor.

→ FLOOR 2 - THE ONCOLOGY WARD

The second floor is marked with another rusty sign that reads "THE ONCOLOGY WARD". Underneath it, another sign is posted that says, "SHHH, SILENCE PLEASE". Unlike the previous floor that was filled with colourful, abliet faded and dated, walls, the oncology ward is bleak and plain. Only a quarter of the lights are on, still taking on a sick pale blue hue and flickering without any sort of pattern, and paints the floor with a despressing outlook. In addition, unlike the previous floor that was devoided of wandering Shadows, two different types of enemies lurk down the hallways.

NOPPERA-BO
Type Shadow	Resists Physical, Dark	Weak Light
Although they're technically two separate Shadows, the patient and nurse are often seen together. If one is found alone, the other is not far behind. In fact, a majority of these Shadows travel together in groups, comprising as few as four or as many as twelve. Although they slowly lurch down halls and into rooms, they become extremely fast when reacting to sound. Even a tiny whisper will capture their attention and they will immediately track down the source. Should they find an individual, they use their vast numbers to grab hold and drag the captive to the third floor. Any sort of struggling is faced with an injection from the nurse that drugs characters to sleep or toxic fumes from the patients that render characters paralyzed. Syringes with drugs that cause sleep and give a boost of energy can be collected as loot.

Once again, the exit to the next floor is barred and nearly all of the doors in this ward are unaccessible. All, but three, refuse to budge due to either being locked, destroyed, or barricaded.

DOOR ONE

The first door leads into a regular private room with two beds that are laid side-by-side. It's a plain and empty room, but setting foot inside will cause the door to suddenly close. Standing in front of the exit is now a new Shadow, one that's surprisingly very human, with her hand on the lock.

YUKI-CHAN
Type Shadow	Resists Physical, Dark	Weak Light
A young girl, no older than nineteen and dressed in a hospital gown, stands in front of the now-locked door. With brown hair tied in a braid and thrown over her shoulder, she approaches with a hammar in hand. "You won't leave. You'll never leave. With extraordinary strength, she'll pin down the closest person with the intent of hammering their hands with nails into the floor. Anyone who interferes will be dragged away by another Yuki-chan. From the shadows, more and more Yuki-chans appear until the room nearly reaches max capacity. Using their fearsome strength and numbers, they pin down intruders and proceed to nail every part of their body into the ground. They can't be reasoned with and they will not stop until there is not a single spot left that they can't stick a nail into. Hammers and metal nails can be collected as loot.

DOOR TWO

The second door leads to another plain room with two side-by-side beds. Yet again, the door will be locked from behind and cannot be broken down. Searching for clues will reveal a short book about senbazuru: one thousand origami cranes. It details that an ancient Japanese legend promises that anyone who folds a thousand origami cranes will be granted a wish by the gods. As a result, those who fall seriously ill are often the recipients and/or creators of a senbazuru. Tucked in between one of the pages is a single crane that has already been folded, but flattened in the book. Looking through the drawers of the room reveals thousands of origami paper with instructions on how to fold cranes.

If it isn't obvious, a thousand cranes must be created in order to escape from the room. Whether they're perfectly folded or clumsily made, it does not matter. A thousand birds must be made and if characters succeed before they are kicked out of the dungeon or starve to death, the door will unclick and open. Just like the wish given after the creation of the senbazuru, absolutely nothing happens.

DOOR THREE

The third door leads to yet another empty room with two beds. On the bed furthest from the door, next to the window, a plastic ring lies on the pillow. A bronze key is tied to the toy with a string and by examining it, it appears to unlock the gate that leads to the third floor. However, the moment the ring and key are picked up, a dark shadow appears behind the holder.

JUON
Type Shadow	Resists Physical, Dark	Weak Light
This dark shadow has no defining features. Only comprised of black scribbles, this void simply moves to engulf characters in its embrace. Surprisinly fast, it swallows entire beings and puts its captive's mind through overwhelming feelings of despair and agony. As their minds go through their worst nightmares, infected characters will move on their own and proceed to attack others in the room. Those who are trapped under the shadow's influence will only return to normal after either being forcefully removed, being knocked out, or the Shadow being defeated. Nothing can be collected as loot.

Those with the key may proceed down to the third floor...

→ FLOOR 3 - THE SUGERICAL WARD

With a sign that marks the floor as the "THE SURGEICAL WARD", another sign underneath reads, "NO OUTSIDE OBJECTS". Before proceeding into ward, a small weight sensor is placed on the last step of the stairs and on the right, a garbage chute is affixed to the wall. Only those who throw everything asides from the clothing their back will be allowed to go through the gate. After disposing of everything, including their omamoris, the door will open and allow for visitors to go through.

Out of the previous floors, the surgical ward is the darkest one so far. Only a handful of lights are on, though these take on a sickly yellow tint and hardly flicker. In addition, the floor abandons the previous layouts and takes on a completely open concept with only two doors: the entrance and the exit. Large plastic sheets hang from the ceiling and the air is hot and sticky, filled with a terrible odour that is a mix between blood and rotten flesh. Occasionally, loud ear-piercing screams will be heard throughout the floor and those who were unfortunate enough to be captured on the previous floors, they will be brought down here for their operation.

THE DOCTOR
Type F.O.E.	Nulls Physical, Dark	Weak Light
The captured will be strapped to an operating bed with an overly bright light hanging over them. The Doctor parts the plastic sheets and stands before the bed, speaking in a thundering voice. "Don't worry, you're in good hands. I'll fix you up." Those who have been captured together or roughly around the same time will be placed in beds next to each other while the Doctor operates on one patient at a time. Cutting open his patients with various medical tools, he pokes and prods inside. He pulls and snips at organs, saws off limbs, drains the blood, and performs any sort of "surgical procedures" that he can get away with. Even if the straps have been pulled apart, the Doctor's large imposing size makes it difficult to resist. With the strength of a F.O.E., the Doctor will not submit to simple, weak attacks and with various medications in his pockets, he can heal himself at any given moment. Occasionally, the Noppera-bo nurses will come to his aid and fight alongside with him. It is best to avoid him rather than fight, though for the ones already captured... there's not much else to do, but scream.

As tempting as it is to rescue those who are undergoing the Doctor's cruel operation, without any omamoris or weapons, it'd be impossible to take him down. The best solution is to navigate through the floor while not attracting the attention of the Doctor or his nurses. When the F.O.E. isn't operating on a character, he'll tear apart various Shadows instead, occasionally throwing out pieces or entire bodies when he's finished. Nurses will roam the area to wheel in new patients strapped to beds and take the dead bodies out.

In each corner of the floor is a waste pile, containing dirty clothes, discarded surical equipment, and the occassional body part. Digging through them will prove fruitless as none of them will contain the key to the exit. The more daring ones who come to take a closer look at the Doctor, whether from the operating table or from the sidelines, will notice a string tied around the Doctor's ankle. The string holds a lock of hair wrapped around a bronze key. Grab this key and escape before the Doctor catches on.

→ FLOOR 4 - THE MORGUE

The final stairway has no lights. Going down the stairs will be a cautious task as there is no indiciation on where the end is, but upon reaching the bottom, a single light just barely shines on the last door. All the belongings that have been thrown into the chute from the previous floor lie by the door. Bolted to the front of the entrance, a metal plate reads "THE MORGUE" and a note is taped underneath it.

"To Niko-chan, please rest in peace, Yuki."

The final key is taped behind the note and can be used to open the door. Upon entering, the area reveals an oversized morgue with multiple lockers, each containing the name of every character in Hirajiro, including Rei's. On a gurney in the back of the room, Rei(?) sits in the back with Ananke, rabbits resting in their laps.

There is nothing else in the room.

→ ICHI NOTES

⬥ Characters who die in this dungeon may either wake up in the morgue and in their respective locker or thrown out of the dungeon once the Lockdown ends.
⬥ The level of gore and severity of the Doctor's operations will be left up to the player's discretion.
⬥ The Doctor may appear randomly throughout the floors, wandering around and looking for new patients. He may be fought but it will be difficult to kill as he will heal or retreat if he needs to.
⬥ Throughout the first three floors, ghosts of Rei may be found. On the first floor, she will appear as a young child. On the second floor, she will appear as a teenager. On the third floor, she will appear as a teenager, but with a shaven head. All three versions of Rei will never face the characters and immediately run away, fading into the darkness, if chased. Occasionally, she will scream and attract the attention of Shadows. If quietly followed without an attempt to capture her, she may lead to the correct areas that will contain the keys.
⬥ If your character really wants to get through an inaccessible door, just let me know and I will create a new horror scenario for you. I cut out a lot so I am filled with ideas for all these gremlins...
⬥ The top-level to speak with Shadow Rei will be unscreened once at least one character manages to get through the third floor and down to the fourth. Please let me know when that happens.
⬥ This dungeon will last until 12/14 at the latest. Please indicate dates in your top-levels to keep track.
⬥ Threads from this log may be used for the dungeon requirement for AC.
⬥ Have fun! Do~~n't~~ die.

Flat | Top-Level Comments Only

[As soon as Lockdown begins, Toki has come back to the hospital by himself. He chanced taking out his earring in case someone tries to stop him, so he could run away. Running is forbidden on floor one, so now he's slowed down to creep through the floor. He doesn't know what's going on, only that Niko ran.

He's taken one of Kido's rabbits along, and he holds it tightly. He has faith he will find Niko, but doesn't have a plan here.]

[ Niko left the morgue and has not returned ever since. She has found a new place to hide, somewhere to rest while Ananke recovers her energy and for Niko to cry. With all the Shadows in the dungeon, she's able to know where everyone is and she ignores them all. All, but Toki. ]

[ Toki was the only one who never posed a threat to her. He stayed with her and was willing to go with her while everyone else fought against her. He's the only one she can trust and wouldn't mind talking to, so when he enters the first floor, Niko sends off one of Ananke's rabbits to lead him. ]

[ A small rabbit appears in the hallway, slowly hopping over to Toki before stopping in front of him. ]

[Toki crouches down to pet the rabbit.]

Aw, you're so cute~!

[He can't tell if it's one of the morgue rabbits, but he will assume so.]

Is she okay?

[ The rabbit doesn't answer, just accepting the pets before hopping away and down the hall. It hops a few steps away, but then looks back. It takes a few more steps then looks back again. ]

[ Will Toki follow? ]

[He will follow, slowly, because he really doesn't want to set off any Shadows. He'll try to be quiet the whole way, wherever the rabbit takes him.]

[ The rabbit leads him to a door that was previously barricaded from the other side, but has now been opened up. What floor is it on? Well, no spoilers, but the rabbit goes up and taps on the door a bit with its foot. After the sound of the lock turning, the door creeks open and Ananke stands to welcome Toki in. ]

[ The room is a simple examination room, but with similar stickers of animals lining the walls, albeit also falling apart and tearing at the edges. The bed is painted in bright colours, but the paint is chipped and falling apart with the slightest touch. The plastic chairs that line the walls look like they'll fall apart with the slightest bit of weight placed on them and the counter has definitely seen better days. ]

[ On top of the bed is Niko and she looks over at Toki when the door opens. ]

You came back.

[Somehow this room is creepier than a lot of the dungeon, because it's sad. Toki avoids looking at the animals on the wall. Even though she doesn't look happy, Niko is the bright spot on this room. He'd do anything to see her smile again.

Toki approaches the bed and sets the rabbit down beside her.]

I'll always come back.

[If she kills him again, he'll find a way back, even without 45's reviving.]

[ She'll kill him last. She wants to spend as much time with him as possible since he's proven himself to not be a threat like literally everyone else. ]

Oh, this isn't one of Ananke's. Where did you get it?

[ She looks down at the rabbit that Toki sets down. She doesn't teach our to pet it. ]

Hana-chan.

[Maybe it's a good thing he never calls her Kido. Toki sits down on the edge of the bed.]

Niko... what do you want most?

[ She doesn't know who Hana-chan is, but she doesn't ask. She just looks down at the rabbit and one of Ananke's own bunnies comes over, curious about the new friend. In the meanwhile, Niko turns her head and looks back down at her lap at Toki's question. ]

... I want this to all end. I don't want to suffer anymore and I don't want anyone else to suffer as well.

[ Her voice continues to remain emotionless as she speaks. ]

Rei knows that she has to eventually go home and die, but she didn't want to leave this life behind. That was her original struggle, but after seeing everyone go through so many terrible things, she thought maybe it'd better if everyone comes with her. It'd be the best of both worlds. Everyone can finally be at peace and she doesn't have to lose any of her friends.

You're... Rei is making that decision for them. Will everyone be at peace if they didn't want to go? Can they really be happy with something they didn't choose?

[He understands the reasoning. She wants to keep everyone safe, protect them the only way she knows how.]

She'll lose her friends if she takes them with her.

She knows. She doesn't want to force them to come with her, but she's selfish. She doesn't want to lose the first family that she ever made, all of her friends, and the person she likes.

[ Niko looks up at Toki at that last part before she looks back down. ]

She's also seen so much in these past six months. People dying, people reaching their limits, Shadows like me, there has been so much suffering. Perhaps everyone won't be happy if they're forced to go, but it'd be better for them. The afterlife is peaceful, they won't be able to think or feel, and they won't have any more terrible experiences. However, Rei doesn't have it in her to act on these thoughts, so that's why I'm here. If everyone hates me then that's okay. At least we'll be together and be unable to feel pain.

[Toki hasn't been here a long as Rei, and he doesn't know everything that happened. Everything she saw. But her vision of the afterlife, to him, is bleak.]

There won't be any more terrible experiences, because there won't be any more experiences at all. If you can't feel at all, then you can't feel love, or happiness, or hope... Even if you feel pain, you can feel hope that it will stop, faith that there's something better... Feeling nothing isn't peaceful; you can't have peace without feelings...

[ Niko grips onto the edge of the bed, looking down. ]

But wouldn't that still be better than everything here? There's no guarantee that things will get better. We've all hoped that the pain would stop and that we'll become happier, but things just get worse and worse.

[Toki covers her hand with one of his.]

Not for me. I've never been happier. There will always be bad things, but it makes the good parts better.

[He's starting to cry, because he doesn't think he can convince her to stay after all.]

You could try... one more time. For me. If you let go now, you'll never have more than this.

[ The hand that Toki covers, it grips the bed tighter. Rei is normally a sympathy crier, shedding tears whenever someone else does, but Niko doesn't cry, not like she did back in the morgue. Instead, she moves, lifting her hands, but grabbing Toki's to hold. She turns and hugs him with one arm, resting her face on his shoulder. ]

... I'm sorry. You're upset.

[Toki doesn't know what else to do, so he cries.]

Don't leave.

[ Niko simply holds him and squeezes his hand. ]

It'll be all right. Unlike us, you still have hope, don't you?

That's why I'm here.

[He has hope there's still a chance for Niko and Rei. Toki pulls away for minute to get his earring out of his pocket. He's been lucky there hasn't been a vision to interrupt them, but instead of putting it back in his ear, he holds it out to Niko. It's a pearl cat with gold ears.]

I don't have a ring, so this will have to do.

[He's still sniffling and there's tears leaking out, but he has to ask now, before she and Rei vanish into their peaceful nothingness.]

Niko... Rei... Will you marry me, and be my princess forever?

[ When Toki pulls back, Niko sits up straight. She figured that this conversation will soon come to an end and then she'll tell him to go home because he shouldn't stay in a musky old place like this, but she's taken by surprise. Out of everything that happened so far in this dungeon, she has never expected this and she stares down at the earring. She doesn't say anything and her expression finally changes, something that's akin to melancholy. ]

You... you wouldn't want to marry us...

I know what I want.

[Toki has never been this certain of anything in his life, but this is what he wants. He wants them to be whole; one person again. His princess.]

I want to make you happy.

[ Niko has been staring at the earring ever since Toki brought it out, looking down at it with sadness rather than happiness. Perhaps before Rei broke down, she would have been excited and overjoyed, but right now, it's almost too late. ]

... can you please get everyone? So I may speak with them one at a time.

[ She says as he continues to look down at the earring, but then she looks up at him. ]

This isn't a rejection. I... I'd just like to hear from the others before I decide whether or not Rei will stay... and she Rei stays, I'd like for you to give it to her. Not to me.

[ She then reaches out with her hand, taking the hand that Toki isn't using to hold the earring. ]

I'm sure she'd be very happy.

[She's sending him away. He squeezes her hand; it may be the last time he touches her.]

Will you wait for me, before you leave?

[If he goes to bring everyone here, and she's gone when he gets back... There will be no hope left, and yet another Shadow.]

[ She squeezes his hand in return and nods. ]

I'll wait for you. I promise.

[ She leans in and gives him a kiss on the cheek. She pulls back and finally gives a small smile. There are still traces of sorrow behind it, but she's genuinely happy that she has someone who cares and loves her to this extent. ]

Thank you, my prince.

[The kiss and that tiny smile, the hint of something breaking through, is enough to give Toki hope that she'll still be here when he gets back. He kisses her hand before letting it go.]

I'll bring them. I love you.

[And before he can change his mind, he's running off to find everyone as quickly as possible.]

Flat | Top-Level Comments Only

[OPEN] 12/3 IN MY RESTLESS DREAMS, I SEE THAT HOSPITAL

premise ⬥ taken ⬥ faq ⬥ navigation

→ 12/3 LOCKDOWN

→ FLOOR 1 - THE PEDIATRIC WARD

DOOR ONE

DOOR TWO

DOOR THREE

→ FLOOR 2 - THE ONCOLOGY WARD

DOOR ONE

DOOR TWO

DOOR THREE

→ FLOOR 3 - THE SUGERICAL WARD

→ FLOOR 4 - THE MORGUE

→ ICHI NOTES

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